I guess I should hasten to add that the voice is often still
somehow inward and outward at the same time:
a paradox of a different kind.
What is more, the world of consonants adds a whole new dimension:
Some tend to naturally pair with round vowels, others with bright ones;
when they're added into the mix, it's more than possible to
compress a round vowel on the way down
or a bright vowel on the way up:
assuming the phrase itself is not completely still to begin with....
Ah, the world of voice and context....hmmm.....
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